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4.2
(71)
Iain Reid
Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made, unbeknownst to her, for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny – with a growing sense of unrest and distrust – starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling?At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.‘I loved this book and couldn't put it down – a deeply gripping, surreal and wonderfully mysterious novel. Not only has Reid given us a brilliant page turner, but a profoundly moving meditation on life and art, death and infinity. Reid is a master’ Mona Awad, author 13 Ways of Looking at a Fat Girl and All's Well
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More Details:
Author
Iain Reid
Pages
272
Publisher
Scribner UK
Published Date
2022-09-29
ISBN
1398504157 9781398504158
Community ReviewsSee all
"An evocative novel that asks: what makes art complete? What happens when we age? What is worth more: a memory, or the time and space between in which we can invent what we cannot recall? Heartbreaking and urgent, a novel that grasps for what makes us ourselves, the core of us beyond the years that pass, the edges blurred. "
"Wow! What a great story! So heartwarming and heartbreaking at the same time. Almost made me cry! All the feels!!"
M
Melissa
"4.5 Iain Reid has really cemented himself on my list of favorite authors. “Foe” is an all time personal favorite and is absolute perfection. I highly recommend it if you haven’t read it. And the only reason I didn’t rate “I’m Thinking of Ending Things” higher was because I was involuntarily told the twist before I got the chance to read it. That’s definitely a story you need to go into as blind as possible. Frankly, that’s the way all of his writing is. And if you can’t get on with quite a bit of ambiguity in your stories, you probably won’t enjoy this author’s writing style."
"I just finished reading this book 5 minutes ago and i have nothing to think about. Really zero,blank....i adore iain's i'm thinking of ending things but this book is written in a much different format it's almost like a wired fiction book with no plot what so ever, i didn't like any part of it except the emotional and physical impact of aging on penny which maybe the whole point of the book idk really. I need to precess what i have just read first<br/><br/>Setting for sometime with the book i still have no idea what happened at the end. Ambiguous ends are my favorite but the ending is just emotional for me. It doesn't make sense and it won't fit with any theory i have about what is happening so my final thought is if i treated this book as a lyrical horror book i won't rate it high but if i think of the conversations inside the book and the ideas it brings to the reader notice it's a very powerful book with a very important commentary on life and aging"